이전의 "시작하기" 장에서는 새로운 악보 만들기를 위해 설치하는 방법과 과정을 배웠습니다. "기초"장에서는 MuseScore에 대한 개요를 제공하고 score를 어떻게 작동시키는지 일반적인 방법에 대해 서술하고있습니다.
편집 모드 는 악보에 입력된 여러 개체를 편집할 때 사용됩니다. 대부분의 개체들이 이 편집 모드에서 수정되어 집니다.
텍스트 편집 모드는 Text editing을 참조 바랍니다.
Lines 및 이와 비슷한 슬러(이음줄), 이르페지오, 대괄호 같은 개체는 편집모드에서 그 선의 핸들을 표시할 수 있으며 키보드 명령 또는 마우스의 드래그 기능으로 핸들을 조정, 그 모양을 바꿀 수 있습니다.
Slur (이음줄) 의 편집 모드:
키보드 명령어 들:
두 음표 사이의 간격 조정
주: 타이 (붙임줄)의 경우 때때로 다시 그릴때 오류가 발생할 수 있으므로 재입력 해야 할 경우가 있습니다.
대안 : 음표를 클릭한 후 "Horizontal offset" 의 설정을 화음(Chord) 의 Inspector 에서 설정함으로, 편집 모드 로 들어가지 않고 변경할 수 있습니다.
주e: 편집 모드 는 음표 기둥 에 대해 길이를 바꿀수 있도록 하며, 수평으로 위치조정은 할 수 없습니다. 이것은 클릭 한 후Inspector에서 horizontal offset 의 조정을 통하여 할 수 있습니다.
To the left of the document window is the Workspace. This can be toggled on and off using the menu command, View → Palettes, or the shortcut, F9.
A workspace, in turn, consists of a number of palettes. Each palette is a folder containing a group of musical symbols.
MuseScore provides two preset workspaces: Basic (the default option) and Advanced (a version with more palettes and symbols). These contain symbols drawn from the various sections of the Master palette. In addition, you can create your own custom workspaces (below).
The names of palettes within a workspace are listed under the title "Palettes."
If you only want to allow one palette to open at a time, right click at the top of the workspace and check the "Single palette" box. This will cause a palette to automatically close when you open a different one.
To dock or undock a workspace, see Side panels.
A custom workspace allows you to select which palettes are listed, and to customize the contents of those palettes.
To create a customizable workspace:
Alternatively you can use the menu option:
Right-clicking over the workspace will display a menu: this has options allowing you to insert, delete, rename and reorder the palettes within it. The contents of individual palettes can be edited in a similar fashion once you've checked "Enable Editing" for a palette. For more details, see Custom palettes and Palette menu (below).
A palette symbol may be applied to the score using one of the following methods:
Tip: To prevent accidental rearrangement of contents during use, right-click over a palette name and untick "Enable Editing."
For example, to add tenuto marks (—) to a selection of notes:
Once added to the score, objects can be copied, pasted, and duplicated—see 복사하기와 붙여넣기.
The more fully-featured Advanced workspace contains the following palettes:
Once you have created a custom workspace (see above), and enabled editing (see Palette menu below), you can customize the palettes within it to your own requirements.
To add an existing score element (such as a line, text, dynamic, fretboard diagram etc.) to a custom palette:
To add a symbol to a custom workspace from the Master palette:
To re-arrange a symbol in a custom palette:
Right-clicking on the name of a palette in a custom workspace brings up this menu:
Palette Properties...: Adjust the appearance of the open palette:
Right-clicking on an element within a palette (if editing of the palette is enabled) brings up this menu:
Note: Changing values in "Palette Cell Properties" only affects the appearance of elements in the palette. It does not change their sizes or offsets on the score page.
If the symbol you are adding to the score from a palette contains a text element (e.g. staff text, dynamic, fingering, volta etc.), then properties such as font-type, font-size, text color, and alignment will adapt according to the following rules:
Text properties which have not been altered by the user will adopt the relevant, prevailing text styles.
Custom text-properties—i.e. those changed by the user before saving the symbol to a custom palette—remain as customized.
By contrast, the line properties of lines applied from a palette always remain unchanged (i.e. as set by the user before saving to a custom workspace, or as predefined in the Basic/Advanced workspaces).
Most score elements have properties that can be edited in one of two ways:
Click on any element, and many of its properties can be viewed and changed from the Inspector panel on the right-hand side of your screen.
Right-click on an element and select an option with the word Properties in it. This option opens a dialog with advanced properties, only available for certain types of elements.
The Inspector is shown by default on the right of your screen. It can be displayed or hidden from the menu: select View and check/uncheck Inspector, or use the shortcut F8 (Mac: fn+F8).
In the Inspector, the properties of any selected object are displayed and can be edited. This applies to virtually every single element in the score window—notes, text, barlines, articulations etc. Multiple elements can also be selected and edited simultaneously, as long as they are of the same type. However, if the selected objects are of different types, then the Inspector restricts you to editing color and visibility only.
The Inspector panel can be un-docked to become a floating panel by clicking the double-chevron symbol or double-clicking the top bar of the panel.
To re-attach the panel double-click on the top bar again. See also: Side panels.
When you select one or more elements of a specific type, the properties which can be edited are conveniently divided into categories in the Inspector. Categories can be identified by their bold, centered lettering. For example, if you select a barline, you will see the following displayed at the top of the Inspector:
For details about how to adjust the properties of various score elements, refer to the relevant sections in the handbook. However, a few general points will be covered here:
All score elements, except frames, breaks and spacers, display this category in the Inspector when selected. The various options are as follows:
Visible: Uncheck this box to make selected elements invisible: alternatively, use the shortcut V (toggle). Invisible elements do not appear in the music when printed out or exported as a PDF or image. If you still want them to remain on display in the document window, make sure that the "Show Invisible" option is selected in View → Show Invisible. Invisible elements will then be colored light gray.
Color: Click on the rectangle to open a "Color Select" dialog. Adjust the color and opacity of selected elements.
Horizontal offset / Vertical offset: Allows you to position selected elements exactly (in terms of space units). A positive number moves the elements right or down; a negative number moves the elements left or up. Snap to grid buttons are also provided.
This category is displayed only when you have selected a mixture of different types of elements, and allows editing of color and visibility only.
This category is used to increase or decrease the space before/after an element in a music staff. Adjusting leading/trailing space here also affects any associated lyric syllables.
This category is displayed only if notes are selected. Any change to a notehead property under Chord affects the whole chord (i.e. all the notes in one voice) at that location—and not just the selected note. If you want to make changes to the position of just one note in a chord, then use the Element category (above).
This category allows you to make changes to selected notes (but for note position—see Element). It contains the following properties:
This category appears differently according to the selection you have made:
This section is displayed in the Inspector when you select one or more note beams, and allows you to make fine adjustments to beam position and angle, and also change the spacing of beamed notes. See Adjust beam with the inspector.
This section appears when you select a clef: the tick box allows you to turn on/off the display of a preceding courtesy clef.
Properties of some objects are accessed by right-clicking on the object and choosing a "Properties" option from the context menu: these are in addition to the object's properties displayed in the Inspector.
(Note: Properties should not be confused with Styles. Changes to properties only affect the single element selected; all style controls apply to the entire score.)
Right-click on an articulation and select Articulation Properties... See Articulations and ornaments.
Right-click on a fretboard diagram and select Fretboard Diagram Properties... Allows you to create custom fretboard diagrams. See Edit fretboard diagram.
Right-click on a line and select Line Properties... There are settings for the beginning, end, or continuation of the line. You can add or remove text, adjust the text's placement, and set the length and angle of optional hooks. Click the ... button to access text properties for text included in the line. See Custom lines and line properties.
Right-click on an empty part of the measure and select Measure Properties... Adjust visibility, bar duration, repeats, stretch and numbering. See Measure properties.
Right-click either an empty part of a measure or the name of an instrument and select Staff Properties... This dialog allows you to adjust attributes of both the single staff and the instrument it is a part of. See Staff properties.
Right click on a text-based element and select Text Properties... See Text styles and properties. If the element is a line with text in it, see → above.
Right-click on a time signature and select Time Signature Properties... Used to adjust appearance of time sig. and beam properties of notes. See Time signatures.
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악보의 끝에 하나의 빈 마디를 추가하기 위해서는 Ctrl+B (Mac: ⌘+B)을 누르거나, 메뉴의 추가(Add) → 마디 (Measures) → 한 마디 추가 (Append One Measure)를 차례로 선택 합니다.
악보의 끝에 여러개의 빈 마디를 추가하기 위해서는 Alt+Shift+B (Mac: Option+Shift+B) 을 누르거나, 메뉴의 추가(Add) → 마디(Measures) → 마디 추가.. (Append Measures..). 를 선택한 후 표시되는 다이아로그에서 추가하고자 하는 마디수를 설정, OK를 클릭합니다.
악보에 마디 하나를 삽입하고자 할때에는 먼저 삽입위치의 마디를 선택한 다음 Ins 를 누르거나, 메뉴의 추가(Add) → 마디(Measures) → 마디하나삽입(Insert Measure)을 차례로 선택하면 처음에 선택했던 마디 앞에 하나의 마디가 삽입 됩니다.
악보에 여러 마디를 삽입하고자 할때에는 먼저 삽입위치의 마디를 선택한 다음 Ctrl+Ins 를 차례로 누르거나, 메뉴의 추가(Add) → 마디(Measures) → 마디삽입..(Insert Measures...)을 차례로 선택한 후 표시되는 다이아로그에 삽입할 마디수를 지정하면 됩니다.
하나의 마디를 삭제하고자 할때 먼저 삭제할 마디를 선택한 다음 Ctrl+Del (Mac: Cmd+Del)를 누릅니다.
여러 마디를 삭제하고자 할때에는 먼저 삭제할 처음 마디를 선택한 다음 Shift키를 누른 채 삭제할 마지막 마디를 클릭 합니다. 그 다음Shift 키를 떼고 Ctrl+Del (Mac: Cmd+Del)키를 누릅니다.
악보의 중간에서 부터 마지막까지 삭제하고자 할때 먼저 삭제할 처음 마디를 선택한 다음 Ctrl+Shift+End (Mac: Cmd+Shift+End)를 눌러 마지막 까지 범위를 정한 다음 Ctrl+Del (Mac: Cmd+Del)을 누릅니다.
악보의 처음부터 중간까지 삭제 하고자 할때에는 삭제할 마지막 마디를 선택한 다음 Ctrl+Shift+Home (Mac: Cmd+Shift+Home)를 눌러 삭제범위를 정한 다음 Ctrl+Del (Mac: Cmd+Del)를 누릅니다.
주 : 오선보에 여러파트가 존재할 경우 하나의 파트에 대한 삭제 조작이 이루어 지더라도 모든 파트의 해당 마디가 함께 삭제 됩니다.
마디의 속성을 변경하고자 할때 마디의 빈 공간에서 오른쪽 클릭 한 후 마디속성..( Measure Properties...)을 선택 합니다:
마디 속성 윈도우가 표시되었을때 아래쪽 부분의 화살표 키에 의해 이전 마디, 혹은 다음 마디의 속성을 편집할 수 있습니다.: (주 : 표시 창이 변경되면 처음 선택한 마디가 아니라는 점에 주의하여 주십시요).
다음 그림에서는 4분음표의 여린박, 즉 못갖춘 마디로 시작 되므로 명목 길이는 4분음표 4개, 4/4 이지만 실제 길이는 1/4 가 됩니다. 가운데 두 마디는 명목, 실제 길이 모두 4/4 이며, 마지막 마디는 점2분음표로 끝나므로 실제 길이는 3/4가 됩니다.:
마디 번호에서 제외
이 "마디수 제외 Exclude from measure count" 는 "불규칙적인" 마디에 적용 하며, 마디 번호를 부여할 때 계산에서 제외 됩니다. 통상 못갖춘 마디 등 에 "마디수 제외 Exclude from measure count" 기능을 사용합니다.
마디 번호에 추가
이 "마디번호에 추가 Add to measure number" 옵션을 사용하면 마디번호에 영향을 주게되며 양수와 음수를 지정 함으로써 마디번호의 증감 효과를 얻게 됩니다. "-1" 을 지정함으로 마디번호 카운트에서 제외하는 효과를 얻을수 있습니다.
간격 조정
이 기능은 기보 요소들 (음표나 쉼표 등)의 수평 간격을 넓히거나 좁힐 수 있습니다. This provides a more precise control over the exact same measure spacing property as the menu commands or keyboard shortcuts for Increase/Decrease Stretch ({ and }), which are accessed outside of the Measure Properties dialog while a measure is selected.
Repeat count
If the measure is the last of a repeat, you can define how often it is played.
Break multimeasure rests
This property will separate a multimeasure rest at the start of the selected measure. This option should be checked before you turn on the "Create multimeasure rests" option in Style → General..., in the "Score" tab.
Multimeasure rests are automatically broken at important breaks, such as rehearsal marks, time signature changes, double barlines, irregular measures, etc.
The default for scores is off, for parts is on.
MuseScore automatically numbers the first measure of each System (except for the first system, actually except for a measure with the number 1), but more numbering options are possible. From the main menu, choose Style → General..., in the left pane, choose the "Header, Footer, Numbers" tab. At the bottom of the right pane is the "Measure Numbers" ("Bar Numbers") section.
Mark the checkbox next to the "Measure Numbers" ("Bar Numbers") to turn on automatic measure numbers.
Mark "Show first" if you want the first measure numbered.
Mark "All staves" if you want numbers on all staves. Otherwise, only the top staff of each system shows measure numbers.
Choose to show numbers on "Every system" which numbers the first measure of each line, or show numbers by "Interval" and specify the size of the interval. For example, an interval of 1 numbers every measure; an interval of 5 numbers every fifth measure.
You may want have to have a longer or shorter measure without changing the time signature. You can change a measure's duration in Measure Properties, but there is now a new option to split or join measures. (Beams may be automatically modified.)
Join
Note: If you select measures on only one staff in a score with multiple staves, the same measures will be joined in each staff of the system.
Split
Note: If you select only one note from one staff, each staff of the system will be split at the same place.
A voice is a musical line or part which can have its own rhythm independently of other voices on the same staff. Voices are sometimes called "layers" in other notation software.
You can have up to 4 voices on each staff line. In a polyphonic measure, voice 1 usually takes the up-stem notes and voice 2 takes the down-stem notes.
N.B. Be careful not to confuse the concept of MuseScore voices (1, 2, 3, 4) with the order of voices found in vocal scores (SATB etc.). In particular, when creating a closed SATB score, use only (MuseScore) voices 1 and 2 for both upper and lower staves. There is no need to use (MuseScore) voices 3 and 4 unless there are more than two parts in the same staff.
The following instructions show you how to notate a passage of music in two voices:
Enter voice 1 notes first: Make sure you are in note input mode : the Voice 1 button becomes highlighted in blue in the toolbar. Enter the notes in the top voice first. When inputting, some notes may have down-stems, but these will flip automatically when the second voice is added.
The following excerpt shows a treble staff with just the voice 1 notes entered:
Move cursor back to start of section: When you have finished entering a section of voice 1 notes, press the ← key repeatedly to move the cursor, note-by-note, back to the first note of the section; or alternatively use Ctrl+← (Mac:Cmd+←) to move the cursor back one measure at a time. Or else you can simply exit note input mode (press Esc) and click directly on the first note.
Enter voice 2 notes: Make sure you are in note-input mode and that the voice 1 note at the beginning of the section is selected. Click on the "Voice 2" button (on the right of the toolbar), or use the shortcut Ctrl+Alt+2 (Mac: Cmd+Option+2). Enter all the lower voice notes (down-stem).
The following image shows the above example after the addition of voice 2 notes:
All rests can be made invisible if required (select the rest and press V, or uncheck the "Visible" checkbox in the Inspector). Rests in voices 2, 3 or 4 can also be deleted but it is not usually recommended: make them invisible instead. Rests in voice 1 cannot be deleted.
If a rest has been deleted in voices 2-4, you will need to restore it before you can enter a note on that beat in that voice (the problem may arise, for example, in imported XML or MIDI files). The easiest way to fix such a measure is to exchange that voice with voice 1 twice. For the exact method, see Exchange voices of notes (below).
To swap the notes between any two voices:
Notes: (a) The selection can encompass content of any voice, but only two will be processed at once. (b) If you select a partial measure the operation will still apply to the whole measure.
You can also move notes from one voice to another (without note-swapping):
Note: For a successful move, the following conditions need to be met:
Objects in the score—such as notes, measures, articulations etc.—can be selected in several ways: (1) one at a time, (2) as a continuous range, or (3) as a list.
Most score objects can be selected by simply clicking on them in "normal" (i.e. not note-input) mode.
Note: Selecting a single note then copying and pasting it, will only copy and paste the pitch—not duration or other properties (such as stemless). To copy the entire note, including all properties, you need to hold down Shift—as for chord selection (below).
Note: To select a range of consecutive measures, see Shift selection and Shift + click selection (below).
There are several ways to select a continuous range of notes, chords or measures:
To select a range of notes or rests:
Note: The final selected element can be in the same staff or in staffs above or below the initial note/rest. All selected elements will be enclosed in a blue rectangle, including associated lines and articulations (but not voltas). You can repeat the operation to extend the selected range as required.
Note: As with selecting notes, the range can be extended vertically as well as horizontally.
This method can be used to select notes or rests, or, independently, to select non-note symbols such as staccato dots, lyrics etc.:
This method selects the whole musical score including notes, rests and associated elements. Use one of the following options:
This method is used to select a section—a region of the score starting and/or ending with a section break:
Note: See Copy and paste: Selection filter to disable certain types of elements from being selected in a range selection.
To select a list (or discontinuous range) of score elements:
Note: This method cannot be used to select measures. Use single or range selection instead.
To select all elements of a specific type (e.g., all barlines, all text elements, all staccato markings):
Several options are available:
Select
Action
This chapter describes the options available in the View Menu, and in the Zoom and Page View/Continuous View menus (located in the toolbar above the score). It also details the various navigation commands and functions.
There are several ways to zoom the score in or out:
Keyboard shortcut:
View menu:
Mouse
Drop-down menu: To set a specific zoom, use the dropdown menu in the standard toolbar to set the view magnification of the score (25–1600 %) or display it using the options "Page Width", "Whole Page", or "Two Pages".
To return to 100% zoom: Use the shortcut Ctrl+0 (Mac: Cmd+0).
As of MuseScore 2.1, this menu option allows you to hide or display the toolbars above the document window: File Operations, Playback Controls, Concert Pitch, Image Capture, Note Input (see Toolbars below).
The Status bar, at the bottom of the screen, gives information about selected score elements. Tick/untick this option to display or hide.
It is possible to split the document display so as to view two documents at once, or to view two different parts of the same document. Tabs allow you to choose which document to display in each view. You can drag the barrier separating the two scores to adjust the amount of space in the window devoted to each:
This section allows you to display or hide various non-printing elements:
Full Screen mode expands MuseScore to fill your screen so more content is visible.
You can switch between two different views of the score using the drop-down list in the toolbar area:
To scroll the score:
In Page View, the score is formatted as it will appear when printed or exported as a PDF or image file: that is, page by page, with margins. MuseScore applies system (line) and page breaks automatically, according to the settings made in Page settings and Style: General. In addition, you can apply your own system (line), page or section breaks.
To choose between horizontal or vertical page scrolling, see Preferences: Canvas (Scroll pages).
In Continuous View, the score is shown as one unbroken system. Even if the starting point is not in view, measure numbers, instrument names, clefs, time and key signatures will always be displayed on the left of the window.
Note: Because the layout is simpler, MuseScore may perform faster in Continuous View than Page View.
The Toolbar area is located between the Menu bar and document window. It contains symbols which allow you to perform certain operations. It can be divided into the following toolbars:
To choose which toolbars to display, right-click on an empty space in the toolbar area (or on the title bar of the Inspector) and, from the menu, check or uncheck the required options. This menu also allows you to view or hide the Piano keyboard, Selection sidebar, Palettes, the Inspector, and (if already displayed) the "Drum Tools" (i.e. Drum input palette).
These display options can also be accessed in the View menu, and, as of 2.1, in View→Toolbars.
The workspaces, Inspector and Selection filter are conveniently displayed as side panels to the left and right of the score window. To undock a side panel use one of the following methods:
To dock a panel use one of the following procedures:
Alternatively, double-clicking the title bar of the panel will restore it to its previously docked position.
There are various commands available to help you navigate through the score. These are listed under Keyboard shortcuts: Navigation.
The Navigator is an optional panel which allows you to navigate a long score more easily, or go to specific pages. To view/hide, go to the View→Navigator, or use the shortcut F12 (Mac: fn+F12). It appears at the bottom of the document window if scrolling pages horizontally, or on the right-hand side of the document window if scrolling pages vertically (see Preferences: Canvas).
The blue box represents the area of the score that is currently visible in the main window. You can drag either the blue box or the scroll bar, or click on an area to immediately go to it.
The Find function allows you to speedily navigate to a specific measure, rehearsal mark or page number in the score:
Use one of the following options:
N.B.: It is best to avoid naming rehearsal marks with the single letters "R," "r," "P", "p," or one of these letters with an integer (e.g. "R1" or "p3"), as this can confuse the search algorithm.
복사하기와 붙여넣기는 음표나 마디가 반복될때 유용하게 사용할 수 있습니다. 복사할 대상을 선택하기 전에 Esc 키를 눌러서 note input mode(음표입력 모드) 를 해제 합니다.
반복되는 마디 또는 음표의 경우 다음 과정으로 보다 빠르게 수행 됩니다:
텍스트나 선, 기타 요소들을 즉시 복사하여 붙여넣기를 하려면 다음 절차에 따릅니다.:
뮤즈스코어는 필터를 사용할 수 있어서 복사할 요소들을 선택하기 전에 어떤 속성들을 복사하여 붙여 넣을 것인가 선택할 수 있습니다.
이 필터들은 파렛트와 같은 모양으로 고정되지 않은, 움직이는 창으로 표시 됩니다. 또한 이 움직이는 창을 파렛트나 Inspector위로 드래그 하시면 파렛트 (또는 Inspector)와 같은 공간안에서 아래쪽의 탭으로 접근할 수 있습니다.
복사하지 않을 속성들에 대한 체크박스의 체크를 해제 합니다.
예제 : Articulations 와 이음줄이 체크되지 않았습니다.
전에 설명 하였듯이 복사 및 붙여넣기를 합니다.
(이 예에서는 4번, 5번 마디를 복사하여 12번, 13번 마디에 붙여넣었습니다)
결과를 보시면 — 이음줄은 복사되지 않았습니다:
만일 리듬의 변화 없이 음표만을 변경하고자 하시면 transposition 또는 re-pitch mode 를 복사, 붙여넣기에 함께 사용하시기 바랍니다.
In the File menu you can find the following options:
Apart from native format files (*.mscz and *.mscx), MuseScore can also open MusicXML, compressed MusicXML and MIDI files, as well as a variety of files in other formats.
To open any supported file:
Open recent… allows you to chose from a list of recently-opened scores.
Save…, Save As…, Save a Copy… and Save Selection… allow you to save native MuseScore files (.mscz and .mscx).
Export... and Export Parts... allow you to create non-MuseScore files, such as PDF, MusicXML, MIDI, and various audio and image formats. In the Export dialog, you can choose which format to export to:
MuseScore remembers which format you picked the last time and makes that the default for the next time. Note: There is a known issue with Windows XP and Vista, where you have to manually (un)set the filename's extension when choosing a different format than the one selected the previous time.
Print... allows to print your MuseScore file directly to a printer from MuseScore. Depending on your printer you will have different options, but generally you can define the page range, number of copies and collation.
If you have a PDF printer installed, you could also "export" to PDF using Print, but it's usually better to use the native PDF option under Export for more accurate rendition. Note: For this to work properly with Adobe PDF, make sure to uncheck "Rely on system fonts only, do not use document fonts" in Printer properties.
MuseScore는 실행 취소 / 다시 실행 작업을 무제한으로 기억합니다.
기본적인 단축키는:
또는 도구창에있는 버튼을 사용하세요:
Go to musescore.com/sheetmusic to view other scores from MuseScore.
You can save and share your scores online at MuseScore.com. You can choose to save a score privately for personal access from any computer, or share it publicly. MuseScore.com enables the viewing and playback of scores in your web browser - an additional feature entitled VideoScores
allows synchronization between the score and a YouTube video. For use outside of a web browser, you can download the score in a variety of formats (including PDF, MIDI, MP3, MusicXML, and the original MuseScore file).
To save a score online:
From the menu, select File→Save Online.... The "Log in to MuseScore" dialog will appear:
Enter your email address or MuseScore username, and password, then click OK. Note: If you don't have a MuseScore account yet, create one first by clicking on the "Create an account" link. That will open your browser app and bring you to musescore.com/user/register.
Upon successfully logging in, you'll be able to enter your score information.
In case you already saved the score online earlier, it will automatically update the existing one, and, as of version 2.1, you can enter some additional information in a changlog section of the dialog, which you can then retrieve on MuseScore.com under "Revision history" for that score. Uncheck Update the existing score to save online as a new score.
(As of version 2.1) If you are using a different SoundFont than the default one and if you are able to export MP3 files, a checkbox Upload score audio will be visible:
If the checkbox is checked, MuseScore will render the audio of the score using the current synthesizer settings and upload the audio to MuseScore.com.
You can also upload a score directly on MuseScore.com.
Note: Should you reach the five score upload limit, you can still upload scores directly from MuseScore, but only the last five are visible. If you wish more than this amount, upgrade to a Pro Account first.
If you want to make changes to one of your scores on MuseScore.com, edit the MuseScore file on your own computer, save it, and then do the following:
It is much more convenient to update online scores from directly within MuseScore than by updating the score manually from the score page. Follow these steps if you originally uploaded the score via the Upload page and now want to switch to the direct method:
Now whenever you want to update the online score simply go to File→Save Online....
도구모음의 오른쪽에 있는 콘서트 피치 버튼은 각 오선보에 있는 이조 악기의 음표 표시를, 쓰여진 음표와 실제 소리의 음표 간 표시를 바꾸어 줍니다. 이 기능은 이조 악기 들 에게 필요하며 이조 악기들은 표시된 음표의 피치(음정)가 실제 소리나는 음정과 다르므로 이 표시의 전환을 해줍니다. 이 기능을 사용하면 조표와 음자리표가 악기에 따라 바뀌어 표시되는 경우가 있습니다.
주의: 인쇄하기 전에 이조악기의 오선보가 포함되어 있다면 이 콘서트 피치 모드를 OFF로 설정하시기 바랍니다. 그렇지 않으면 올바른 조 의 연주가 불가능해 집니다.