Some unaccounted for rests appearing

• Aug 17, 2010 - 03:36

I am wondering why I would get some rests appearing in the bass clef when the notes are all there. See the attached screen shot of one of the bass clef staves. What would cause this to happen?

Steven

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BassClef_UnaccountedForRests.PNG 7.23 KB

Comments

It looks like those whole rests belong to another voice that's not being actively used.

Try clicking on one of the rests in question, and then look at the little colored grid at the rightmost end of the Note Entry Toolbar (with rectangles labeled 1, 2, 3 and 4).

When you select notes or rests in different voices, it will be reflected appropriately in that grid by a change in which rectangle is highlighted.

Assuming that those whole rests are in voice 3, you should see the yellow rectangle labeled "3" become highlighted when you select one of them.

If you don't anticipate adding a third voice in those measures, you should be able to delete the rests or make them invisible by right-clicking and selecting Set Invisible.

In reply to by [DELETED] 448831

Thanks for the quick response. When I click on a whole rest the color is blue same as the voice 1 which is being used for the soprano line in the treble clef. I can't figure out how that happened. I have used all four voices. 1 (blue): Soprano line, 2 (green): Alto line, 3 (ochre): Tenor line, and 4 (magenta): Bass line.

I did as you suggested and set all of these whole rests to be invisible. I need to go back and do another piece of practice music and pay attention to what I am doing. When I did this one I entered in each voice one at a time from top down. You can tell I'm not a composer and am still learning about music and music notation.

Steven

Recall that you can use up to four voices in your treble clef and another four in your bass clef. In both cases, they have the same numbers and colors.

I'm guessing that when you went directly to voice 3 when entering the bass clef, there were already rests there in voice 1 that you may not have noticed at the time.

The conventional logic of creating a polyphonic score with two voices notated in treble and two voices in bass would be to use voices 1 and 2 of the treble clef and voices 1 and 2 of the bass clef -- i.e., employing each successive voice in numerical order for each staff -- though it doesn't seem to be strictly necessary.

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