Do not accent the first beat of each measure.
How to adjust the performance of the music, do not accent the first beat of each measure.
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How to adjust the performance of the music, do not accent the first beat of each measure.
Do you still have an unanswered question? Please log in first to post your question.
評論
The first beat of the measure is not accented by default. Are you saying you want it to be? Then select the note you want accented and either add an accent mark from the palette or use the Inspector to increase the "velocity" of that note (works for instruments that don't use "single-note dynamics").
In reply to The first beat of the… by Marc Sabatella
Hi Marc,
Thank you for your clarification.
For measures with lyrics, the first beat feels very heavy, as shown in the attached file. Is this situation normal? Or how can it be improved, thank you.
Best regards,
Ylchang52
In reply to Hi Marc, Thank you for your… by ylchang52
I suppose that it is the chords playback (all located on the first beat in your score) that gives you this effect.
When you turn off their playback, this is what you hear : 1Class song.mscz
In reply to I suppose that it is the… by cadiz1
This is what I need, how can I turn off their playback? Thanks.
Best regards,
Ylchang52
In reply to This is what I need, how can… by ylchang52
"how can I turn off their playback"
A few ways to get it, see: https://musescore.org/en/handbook/3/playback-chord-symbols-nashville-nu…
In reply to "how can I turn off their… by cadiz1
I can handle it now, thank you for your guidance.
Best regards,
Ylchang52
In reply to The first beat of the… by Marc Sabatella
To adjust the performance and avoid accenting the first beat of each measure, think of it like playing a strategic Agario game—focus on subtly distributing your dynamics across the measure. You can emphasize different beats or soften the downbeat to create a more fluid and balanced phrasing. It's all about shifting attention without losing the rhythm's natural flow.
Play or accentuate notes on the offbeat (e.g., the "and" of each beat) to create a syncopated or displaced rhythm, making the music feel more unpredictable and de-emphasizing the downbeat.
Drive Mad