Which trumpet mutes are most used?
I'm making a soundfont and I have soundfonts several types of mutes. I don't want to put all them in, so which two kinds of mutes are used the most?
I'm making a soundfont and I have soundfonts several types of mutes. I don't want to put all them in, so which two kinds of mutes are used the most?
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I don't know the answer, but I do know there are some more pieces of info needed to give you an answer.
What instrument and what kind of music are you making the sound font for?
In reply to I don't know the answer, but… by mike320
An orchestral soundfont aimed for late nineteenth century to modern classical.
In reply to An orchestral soundfont… by ♪𝔔𝔲𝔞𝔳𝔢𝔯 ℭ𝔯𝔞𝔣𝔱𝔢𝔯♪
For trumpets:, I think the most common are the hard (or "straight"), and "cup" mutes.
For horns: the "stopped", and "con sordino" mutes. The latter is a hard mute.
For trombones: the hard (or "straight") and "cup" mutes.
You have a good reference for these effects, including links to audio demostrations, in http://andrewhugill.com/OrchestraManual/trumpets.html
I look forward to your soundfont, if you make it publicily available!
id say harmon, but i dont honsetly know
In reply to id say harmon, but i dont… by SSS5
Harmon is extremely common in jazz (probably #1, followed by cup), probably not so much in classical, where straight is as far as I know most common.
I think Harmon mutes don't sound like something all too useful in an orchestra. I think cup and strait are probably the best for orchestra.