Thank you for your answer. However does this mean I will not be restricted on timing in each bar ?
I any case I am using Measure Properties to set the time in each bar since the song has uneven timing.
Also ... if, as you say, “the timing of the song is uneven,” I would anticipate that the players would need to see those various changing time-signatures, and the corresponding bar-lines, to know how to perform the song as you intend for them to do.
I suggest that, no matter how “irregular” your song is, there needs to be “something regular” that the performers can refer to ... even if that part is not meant to be heard ... so that they can more easily keep their respective performances in sync. (And that “something” probably should be heard, even if “only now and then,” to help the audience stay in sync with what you are doing, too.) If a very avant garde performance loses all sense of structure, it quickly becomes noise ... and will be regarded as such.
Comments
Right click the staff
put the check on 'Invisible stave line'
In reply to Right click the staff by Shoichi
Oops! See Change barline type in the handbook.
In reply to Oops! See Change barline type by geetar
when it is said: take a blunder ;-)
Thank you for your answer. However does this mean I will not be restricted on timing in each bar ?
I any case I am using Measure Properties to set the time in each bar since the song has uneven timing.
In reply to Thank you for your answer. by shamanmulchand
Not showing barlines is a visual change only.
If you want one bar with a different number of beats, then yes, you must specify the actual bar duration in the properties. You may also find the "Join/Split" commands useful: https://musescore.org/en/handbook/measure-operations#split-join
Also ... if, as you say, “the timing of the song is uneven,” I would anticipate that the players would need to see those various changing time-signatures, and the corresponding bar-lines, to know how to perform the song as you intend for them to do.
I suggest that, no matter how “irregular” your song is, there needs to be “something regular” that the performers can refer to ... even if that part is not meant to be heard ... so that they can more easily keep their respective performances in sync. (And that “something” probably should be heard, even if “only now and then,” to help the audience stay in sync with what you are doing, too.) If a very avant garde performance loses all sense of structure, it quickly becomes noise ... and will be regarded as such.