Combining bars with identical content

• Jan 16, 2024 - 01:59

Is there a quick way in MuseScore 4 to combine/merge bars that have the same content? What I mean is, for example, the first bar is the same as the second, I want to cut the second bar and merge it with the first - an example of the effect I want to achieve is presented in the graphics below.
Before:
1.png
After:
2.png

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1.png 7.2 KB
2.png 6.6 KB

Comments

In reply to by Claudio Riffero

Your answer gave me, I think, a pretty good idea.

  1. I add one more, the same, instrument to the score:
    1.png
  2. I select the contents of the upper staff and copy it to the lower staff:
    2.png
  3. Using the ctrl button and the cursor, I transpose the contents of the second staff (in the example, an octave lower):
    3.png
  4. I select the content on both staves, then select Tools -> Implode:
    4.png
  5. Without changing the selection, I select Tools -> Implode again:
    5.png
  6. I select the notes to be transposed using the ctrl key:
    6.png
  7. Using the cursor, I move the notes to the desired position:
    7.png
    Finally, I can remove the second instrument from the score.

The method works, it doesn't seem slow, but maybe someone knows an even better method?

Attachment Size
1.png 27.14 KB
2.png 35.52 KB
3.png 35.01 KB
4.png 40.37 KB
5.png 40.74 KB
6.png 36.95 KB
7.png 36.03 KB

In reply to by jp2137

This is not a criticism, but just a question for my own edification. Why or what is the purpose of such notation, and why only in the first voice? It just seems less readable to me. Will it change how playback sounds in Musescore or some other software? Just want to know what I might be missing.

In reply to by garytemp

Yes, it is related to playback. I use Muse Sounds, which can be tricky when it comes to intonation. Adding another note of the same pitch in the first voice eliminates this problem. Then I hide the note head by clicking the Shift + X combination or I select in the properties that the note head should be invisible and thus improve the readability of the notation. Maybe you know a better way to improve the intonation of Muse samplers in MuseScore? I mentioned this problem in another topic (https://musescore.org/en/node/358693), here is a link to a video with an example of this bug: https://www.youtube.com/watch?v=kkXsMkmKRCA

In reply to by jp2137

There is no need to mess about with voices. Enter a note - say a C then enter it again but holding shift. This gives a chord of two Cs an octave apart. Then immediately press CTRL + Down arrow. This shifts the last entered C down an octave and automatically flips the notehead. Both Cs are in voice 1.

Step by step it goes.

N - to start note entry mode
5 - select quarter note duration
C - enter a C
SHIFT+C - to add a C an octave higher
CNTRL+DOWN ARROW - to move that higher note back to the same pitch as the first C.

Here are a couple of observations.

  1. It would have been helpful if in your first post you had stated the reason you needed this and the full result you were after. As it is you got several answers that were not what you wanted.

  2. Re. the sax out of tune. When I set up a score as in your video, the C seems be sounding two notes at once. Not good, of course. The effect seems to be worse when the C comes after a D. But not when the C comes after a B. Or most any other note.
    Doubling the notes does help the tunning. But it also takes away much of the character of the sound. Playback is more dull. More like the Basic sounds. I guess it might be a toss-up.
    Also posting a score might be more helpful than just a video.
    For example, play the attached score. It has several D to C combinations. I don't hear the same pitch problems that seem to be caused by whole notes. I'm not sure why.
    Again, just some observations.

Attachment Size
sax_test.mscz 23.97 KB

In reply to by bobjp

Perhaps I could have written my first post more precisely, although I tried to present it concisely. Basically, this is just a part of the whole issue that occurs with the combination of MuseScore + Muse Sounds. Regarding intonation, people in other posts have also pointed out issues with the oboe. Other problems include "popping" or disappearing sounds, incorrectly processed dynamics, articulation, etc. It doesn't seem random to me; these are rather specific errors related to particular situations in notation and instrument choice, as in the case of playing D and C# consecutively on the saxophone. I think over time, programmers will pay attention to this and address it. Either MuseScore doesn't handle these samplers well, or the samplers themselves need improvement. For now, I'm trying to cope with these issues in unconventional ways. By the way, I don't entirely agree that doubling notes makes the sound more flat/dull/basic. In my opinion, it sounds very good, I would even say it's the best among all free saxophone-imitating samplers. Yes, tiny deviations from the correct pitch, a slightly "wavy" sound can make it more natural, giving the impression of being enriched with more aliquot tones, but they shouldn't be as significant as the irregularities in the example we're discussing.

In reply to by jp2137

I will be the very first person to tell you that Muse sounds are far from perfect. Eventually things may get fixed.

Had you said in your first post why you wanted to "combine content", (unclear to begin with) This thread would be 6 posts shorter and people wouldn't have spent time posting solutions that weren't what you needed. And would have given you correct answers much sooner.

Yes, the whole note combination D to C# causes the C# to sound incorrectly. But my file shows that that may be the only combination so affected. Maybe.
Yes, there are problems with the oboe.
The fade problems do not happen on my system.
The last popping post had to do with a final quarter note that was the end of a slur, that had a staccato and accent with PP dynamic. That, to me, is questionable notation.

I compose. For playback. So playback is very important to me. I had a situation where flute and oboe caused a strange overtone. Individually, the instruments sounded fine. But together on a certain section, they did not. I changed the oboe to English horn and the problem when away. In other situations I have changed what I wrote to avoid a problem. I learned long ago that you can't just write whatever you want in notation software. Recorded sounds don't work the same way real sounds do.
And on my system, doubling the sax notes sucks all the life out of the sound. But you need to do what you need to do.

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